Solo Performance Workshop:
8 weeks. your story. your show.
new Summer Session starts July 6th!

Solo Performance Workshop, founded by W. Kamau Bell and Bruce Pachtman in 2005, is an 8-session course designed to support the development of professional level theatrical solo performance (aka, “solo shows” or “one-person shows”). Each participant creates a unique and personal 15-20 minute solo performance piece using a variety of writing and performance techniques. The Workshop culminates with a public performance where each participant’s work is showcased. (That’s right, you write a solo show in 8 weeks and then perform it, on stage, with a real live audience!)

The Workshop is recommended for performers of all disciplines, including actors, writers, comedians, spoken word artists, musicians and dancers. All levels of experience are welcome, from those who have never been on stage before to those preparing a piece for a professional production or audition. Members of the Workshop have gone on to perform their shows all over the Bay Area – WordsFirst, the Monday Night Marsh, Tell it On Tuesday, Solo Sundays, City Solo and the SF Theater Festival. And members have also been featured in Los Angeles and New York at The New York International Fringe Theater Festival, Midtown International Theater Festival, and the Comedy Central Stage.

SPW approaches solo performance much like story telling – only it’s really story showing. Often autobiographical, characters and scenes and moments come to life; the narrator is a character of it’s own and timelines are entirely up for grabs. Ultimately the work is thoroughly entertaining and honest.

Details, PLEASE….

Solo Performance Workshop, with Martha Rynberg – starts tomorrow!
TUESDAYS: 6:15 – 9:15p
JULY 6, 13, 20 AUGUST 3, 10, 17, 24 ,31.
class performance: September 7, 7p
StageWerx Theater, 533 Sutter (at Powell), SF
$400
register on-line

Feel free to call, email, yell out your window….do whatever you need to to get our attention.
We’ll be glad to hear from you!

SPW
Martha & Kamau
207.730.2029

ABOUT MARTHA RYNBERG (Facilitator):
MARTHA RYNBERG came to solo performance on a whim in 2006 and has been hooked ever since. (Although, she likes to thinks of her career as blossoming when she started dancing on the top of a lounge piano for virgin Margaritas – at the age of three.) In addition to creating several solo pieces of her own, she is the original director of the W. Kamau Bell Curve: Ending Racism in About an Hour. Under her watchful, collaborative, and supportive eye, “The Curve” garnered praise from nearly every major local print media source, including The San Francisco Chronicle (Four Stars), The SF Weekly (Recommended), The SF Bay Guardian (Critic’s Pick), and The East Bay Express (Critic’s Choice). Martha has been a SPW facilitator since 2008.

Martha’s own work explores the intersections of inheritance, parenting across racial lines, internalized misogyny, and adoptionism. She has been described as the creative love-child of Jim Carrey and Carol Burnett. Martha’s current material, “Lady Parts” is previewing in the Bay Area.

THE SOLO PERFORMANCE WORKSHOP

Started in 2005, this 8 session course is designed to develop 15-20 minute professional level solo theater pieces using a variety of writing and performance techniques. Each student will create a unique and personal performance piece that will culminate in a public theater performance at the end of the course. The class is recommended for performers of all disciplines, including actors, writers, comedians, spoken word artists, musicians and dancers. People of all levels of experience are welcome, from those who have never been on stage before to those preparing a piece for a professional production or audition. Members of the workshop have gone on to perform their shows all over the Bay Area, Los Angeles, and recently two shows have been featured in The International New York Fringe Theater Festival.

WHEN/WHERE:
Location: Stage Werx Theatre 533 Sutter Street @ Powell Street, San Francisco, 94102

ABOUT THE CLASS:

IN THE PRESS:
SoloHouse: Monthly Event Features Rotating Cast In One-Person Shows
San Francisco Chronicle

The world of stand-up comedy is brutal. The fight to make an audience laugh, and then keep people roaring, means getting onstage nightly to try out material and hone the act.

And W. Kamau Bell, a comic who’s been on Comedy Central and who is a frequent opener for Dave Chappelle, loves stand-up. But a few years ago, friend and solo performer Bruce Pachtman (“Don’t Make Me Look Too Psychotic”) asked him for advice on his show. Their discussions eventually gave Bell a director’s credit on the production, and through Pachtman he began teaching solo-performance classes at the Shelton Theater.

“The thing with stand-up is that the onus is always on entertainment value, and that is judged on solely by laughs,” Bell says. “And then solo performance backed away so much from entertaining that it tends to be focused on venting or releasing personal demons on the audience.

“My thing is, you can do that, but it has to be entertaining,” Bell says, adding that solo performances can produce tears and laughs in the same act.

Bell says his time is now split between stand-up and solo performance. He postponed a move to New York to focus on solo performance; he initiated SoloHouse, and has a solo show, “The W. Kamau Bell Curve,” beginning in October.

Bell sees solo performance as a wide-open field. “The thing that’s compelling to me about solo performance is what was great about stand-up in the ’70s – there are no rules. Stand-up now – don’t get me wrong, I still love it – there’s a lot more rules,” he says. “Richard Pryor could get onstage and act and show what it’s like to nod out on heroin. That’s not hilarious, but it’s certainly interesting. Bill Cosby could work by taking his time and painting slow character pieces. Now you have to be funny every moment.

“In England they don’t separate one-man shows from stand-up. Ultimately, if we throw this all together, it’s the same: a person on a stage who’s trying to entertain, with just their mouth and their words.”

- Reyhan Harmanci
Thursday, August 30, 2007