Posts Tagged ‘san francisco’

Here’s what I’m up to the next little bit.

Thursday, September 1st, 2011

I just figured I would put it into one post because I’m starting to confuse myself so here goes…
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Sept 6         San Francisco, CA      Stage Werx Theatre – Me & Boots Riley in Conversation – A Benefit for Laughter Against The Machine

Laughter Against The Machine’s Tour & Documentary
Sept 10       Phoenix, AZ                 Space 55 BUY TICKETS
Sept 14       Chicago, IL                  Greenhouse Theater BUY TICKETS
Sept 16       Dearborn, MI               Henry Ford / Adray Auditorium BUY TICKETS
Sept 17       Madison, WI                Bartell Theatre BUY TICKETS
Nov 9-10     Washington, DC           DC Arts Center BUY TICKETS
Nov 11-12   New Orleans, LA          La Nuit Comedy Theater BUY TICKETS
Nov 14-15   Oakland, CA                New Parish Theater BUY TICKETS

And we only have days left to raise the money we need to make the documentary about all this nuttiness! Can we borrow 5 bucks to make it happen? Thanks!

SFWeekly.com: Why Comics Love Recording in San Francisco

Thursday, March 31st, 2011
Header_KomedyKorner.jpg

Comics love to record their CDs and DVDs in San Francisco. They LOOOOOOOVE it! Even if they don’t live here. Even if they didn’t come up doing comedy here. Even if they don’t spend that much time in the bay. They still love to record those permanent records known as “specials” here. And they even used to love to record them here when those permanent records were actually records.

Here is a quick list off the top of my Googler of notable CDs, DVDs, and albums that were recorded in San Francisco:

1. Paul Mooney’s Race – 1993 (The San Francisco Punch Line)2. Steve Martin’s Comedy Is Not Pretty – 1979, and Let’s Get Small – 1977 (both at The Boarding House in San Francisco)

3. Margaret Cho’s I’m The One That I Want (The Warfield — this reset the bar for the modern special.)

4. Lenny Bruce’s Live At The Curran Theater – 1961 (Apparently the actual show was — GULP! — THREE HOURS AND SEVEN MINUTES LONG!)

5. Mort Sahl at The Hungry i - 1960 (Yup, before it was a seedy strip club it was home to the best comedy the country has ever seen.)

6. Zach GalifinakisLive at The Purple Onion – 2007 (You can hear our very own Alex Koll* introduce Zach at the beginning of the DVD.)

7. Sandra Bernhard’s I’m Still Here… Damn It! - 1998 (Slim’s)

8. Bill Burr’s Let It Go – 2010 (The Fillmore)

9. Phyllis Diller’s Live in San Francisco – 2001**

10. Kevin Avery’s Hardcore 2007 (The San Francisco Punch Line)

11. Daniel Tosh’s Happy Thoughts - 2011 (Yerba Buena Center)

12. Eddie Izzard’s Dress To Kill - 1998 (Stage Door Theatre, I was in the flippin’ audience the night it was recorded for HBO. I didn’t get it. I do now.) FOR THE REST OF THIS POST GO HERE!

Listen my FULL interview on Forum! #GreatestInterviewEver

Friday, December 17th, 2010

This was the best radio interview I’ve ever done. Mostly because it was an hour focused all on ME! Dave Iverson, the host, asked probing and intelligent and thoughtful questions… which is certainly not always the case for radio. Afterward, I met all the black people at KQED… three. (Just kidding… I met three but I saw five.)

It was a lot of fun… the second half many people called in and they were all cool. Enjoy. And I understand if you don’t have enough interest to take the whole hour of KAMAU! It was like Frost/Nixon… but less jowl-ly and confrontational.

Forum

W. Kamau Bell

Fri, Dec 17, 2010 — 10:00

Download audio (MP3)

San Francisco-based comic W. Kamau Bell is known for telling the very first joke about President Obama on Comedy Central, when he memorably predicted in 2005 that Obama was not going to win the election. Bell joins us in the studio for a conversation on humor, and race.

Bell has been named best San Francisco comedian by 7×7 Magazine, The San Francisco Bay Guardian and SF Weekly. His new comedy album “Face Full of Flour” made the iTunes list of best comedy albums of 2010 — and he’s performing at the Phoenix Theatre in San Francisco on New Year’s Eve.

Host: Dave Iverson

Guests:

  • W. Kamau Bell, San Francisco-based comic

I’ll be on KQED’s Forum w/ Michael Krasny 10am, 12/17/10

Friday, December 17th, 2010

I’ll be on KQED radio on 12/17/10 from 10am-11am. I’d better take my smart pills or it’ll be like, “What’s this? Wikipedia is leaking?”

Forum

Michael Krasny KQED’s live call-in program presents wide-ranging discussions of local, state, national and international issues, as well as in-depth interviews.

Airs on KQED Public Radio weekdays at 9am & 10am

Coming up on Forum:

Fri, Dec 17, 2010 — 10:00 AM

W. Kamau Bell

San Francisco-based comic W. Kamau Bell is known for telling the very first joke about President Obama on Comedy Central, when he memorably predicted in 2005 that Obama was not going to win the election. Bell is performing at the Phoenix Theatre in San Francisco on New Year’s Eve, and he joins us in the studio.

Bell has been named best San Francisco comedian by 7×7 Magazine, The San Francisco Bay Guardian and SF Weekly. His new comedy album “Face Full of Flour” made the iTunes list of best comedy albums of 2010.

I might just make it to SF Comedy Eagle Scout after all.

Monday, December 6th, 2010

So there are 13 things that need to happen in order to be fully vetted/made as a San Francisco comic… as opposed to a comic who does and/or did comedy in San Francisco.

I am proud to say I think I have just been blessed with one of the most key elements.

First, here’s the list of things that you need to accomplish if you want to be considered a San Francisco comic. (And yes, I made this list up, but I stand by it, although feel free to suggest other things.)

In NO particular order…

1. Open for Will Durst. (check)

2. Drive yourself — or get driven… thanks to Jim Short. — all over the hinterlands of California (and/or Nevada and/or Oregon) doing the San Francisco International (but not Intentional) Comedy Competition. (Sadly check. Cotati?)

3. See your name on the back of the Punch Line t-shirt several times. (check, check, check, check, check, check, check, check, check…)

4. Get bumped from a show that you were booked in advance to be on at Cobb’s. (check, check, check, and yes check! I even got bumped from a show on fucking New Year’s Eve. My wife is still mad at you, Joe Rogan.) When Cobb’s was a smaller club, number 4 used to be “Be House MC at Cobb’s but those days are goooooooooone.

5. Bomb at The Brainwash. / Have Tony Sparks tell you that he loves you. (check on both counts more times than I could ever remember.)

6. Perform at a benefit at The Punch Line. Bonus points if it is Troy’s YMCA benefit. You lose points if it is the REDACTED benefit or the REDACTED benefit. Both of them suck. They suck and the people who come out to support them suck. And that sucks, because you think I’d like to perform in front of REDACTED people.

7. Hear about how great the old days were from a comic who came before you. (At this point the old days could be the Holy City Zoo, Cobb’s in The Marina, The Walnut Creek Punch Line, The One World Cafe, or even (YIKES!) The Comedy College. (check. Doug Ferrari is good for this one if you need to get this one done soon. Actually, I’m getting pretty good at this one, too.)

8. Hear YOURSELF talk about how Comedy Day in The Park used to be a much bigger deal. (check)

9. Play whatever is the current hell gig of the time while you are still on your way up in the local scene. During my time it was Modesto. It probably still is. Let’s just say that you know a gig is bad when Vanilla Ice is playing the same place as you the week AFTER you are there.

10. Open for Dave Chappelle at The Punch Line. It sounds like an honor, until you see the rabid audience look at you like the parsley on top of the steak. (You can also get credit for this if you open for him at The New Parish in Oakland.)

11. Miss your opening set at The Sacramento Punch Line because TRAFFIC IS SO FREAKING BAD THAT WHAT SHOULD TAKE AN HOUR AND A HALF TAKES THREE HOURS SOMETIMES!!! WHY? WHY? WHY?

12A. Be in a city other than SF, and have a comic in that city give you some measure of respect when they find out that you are from San Francisco.

12B. Also, know that our audiences aren’t as smart as people outside of SF, think they are.

Robin Williams. Duh?

13. And finally, lucky 13, I just got it recently. One of the most important pieces of the San Francisco comic puzzle was found last week. See, last week, I performed on an AWESOME benefit for Glide Memorial Church (not that…) and I was on a show with Johnny Steele (not that… although he is apt to tell you about the old days.) and Selene Luna (not that…) and also on the show was Robin Williams (not even that… at least not quite…) The “IT” is that Robin watched my set ANNNNNND thought I was funny. And he shared some thoughts about me that he is allowing me to share with YOU!

“W. Kamau Bell is ferociously funny.” – Robin Williams

Yup, he said that about me. Pretty cool. Actually VERY cool. I have definitely seen him give the nod to other SF comedians: Jim Short, Colin Mahan… And certainly non SF comedians who have spent time in SF: Eddie Izzard and recently Jamie Kilstein.

But I feel like I have finally completed my fair share of the SF comedy scene Merit Badges. I’ve been bona fide funny by Mr. San Francisco Comedy, himself: Robin Williams. And yes, there are certainly more SF Comedy Scene Merit Badges than these out there. Hell, fifteen alone deal with weed, and 11 of those involve N’Gaio Bealum — who people still confuse me with, but nothing is perfect. But this feels like a pretty good place to be at. Now, I got to nail down some LA and NYC Comedy Scene Merit Badges.

Me & Kevin Avery Together are “As rare & magical as a sparkle-unicorn…”

Monday, November 15th, 2010

Check out what the SF Weekly has to say about our upcoming shows on November 23 (Tues) & 24 (Wed) at The SF Punch Line

Kevin Avery and W. Kamau Bell

One Sparkle Unicorn

Punch Line

Twice the Awesomeness

By Hiya Swanhuyser

Just on the off chance you’re looking for something to do tonight, something like, kind of, maybe, as rare and magical as a sparkle-unicorn doing West Side Story choreography under a liquid light show, consider Kevin Avery and W. Kamau Bell. They’re not unicorns, not yet. As former co-pilots of radio’s “Siskel & Negro,” the duo have killed hard on many Bay Area stages and airwaves. Currently, Bell is “spending a lot of time in New York,” aka not likely to be performing small venues around here much longer, and Avery already lives in Los Angeles and is writing a film called Thugs: The Musical. Unicorn status imminent.

What more do I have to do to get you to come? Half price tickets? BAM!

My NEW Solo Show Debuts in SF 8/28! ONE NIGHT ONLY!

Thursday, August 12th, 2010

This is the poster for my NEW solo show. It debuts in San Francisco on August 28th @8pm as a part of The Solo Performance Workshop Festival.

It’s called, “AAAAAAAAAARGH!: A Solo Show About How Frustrating Frustration Can Be”

Come that night, because it may never happen again! Get your tix HERE!

Getting schooled in post-racial America

Wednesday, August 11th, 2010

Getting schooled in post-racial America

By Rachel Swan, SF Public Press
— Aug 10 2010 – 3:47pm

Any artist who promises to end racism in about an hour will earn his fair share of cynics. Comedian W. Kamau Bell was well aware of that when he launched his solo comedy show, “The W. Kamau Bell Curve,” in fall 2007.

During a run at The Shelton Theater a few months later, Bell watched from the corner of his eye as a middle-aged couple shuffled out of the room. He was roughly 15 minutes into a well-honed comedy set that lampooned the idea of “post-racial” America. He resisted his knee-jerk tendency to heckle the man and woman as they quietly left their seats.

“They weren’t making a huff or anything,” he said. “In my mind, I’m just like, ‘Oh, they gotta go to the bathroom.’ I didn’t think anything of it. They never came back, but I also never noticed.”

After the show, Bell’s producer, Bruce Pachtman, looked somber. “That couple left,” he said. Apparently the man was repelled by Kamau’s material. He was white and characterized himself as a progressive.

“I feel like I’m being blamed,” the man told Pachtman. “I don’t have to listen to this; I’ve done a lot for black people.”

Bell was unruffled.

“If I’m a straight white guy and I go to a show about racism, I would expect to get something on me — that they’d start flinging the s— stick my way,” he said. “I thought, ‘That is hilarious. Absolutely hilarious.’” Read More…

My buddy Hari Kondabolu interviews me at RooftopComedy.com

Monday, March 8th, 2010

AN INTERVIEW WITH W. KAMAU BELL

By Hari Kondabulu



“W. Kamau Bell is the most important guy doing comedy right now. He’s got the most astute, hilarious and completely righteous material going and he’s going to be a legend in his own lifetime like Richard Pryor and Lenny Bruce. Think Bill Hicks but slightly taller.”
— Margaret Cho

It’s praise like that has made W. Kamau Bell’s “Face Full of Flour” one of the most anticipated comedy albums of 2010. Recorded live at the San Francisco Punchline and produced by Rooftop Comedy Productions, the album features comedic meditations on Barack Obama, the wrongness of the Right, interracial mating, and why Black + White = Black.

Kamau was nice enough to take a break from his busy schedule to answer a few questions from fellow comedian Hari Kondabolu.

Hari Kondabolu: Why did you name your CD “Face Full of Flour” and how does it and you differ from your last album “One Night Only?”

W. Kamau Bell: First of all, my first CD wasn’t named “One Night Only” It was named ONE NIGht ONLY,” which is very funny joke if you get it. Most people didn’t. And secondly, how come you didn’t listen to my CD before the interview, Hari? I thought we were supposed to be cool. I’m going to go unfollow you on Twitter… There. It’s done.

This CD is called Face Full of Flour because there is a joke on it that was inspired by a Rice Krispies commercial from way back the 80’s. In the commercial a mom throws flour on her face to convince her family that she’s working harder than she actually is. My joke recommends Barack do the same thing.

Dammit. Now the joke is ruined. Nothing is less funny than a joke explained.

HK: Why make this album now?

WKB: I was very much aware that for like two years I was one of the only comics talking about Barack Obama. My first joke about him was in 2005, and I did it that year on Comedy Central, which according to Comedy Centrla is the very first Barack Obama joke. Don’t believe me? Google it. (I’m talking to the “YOU” who is reading this right now. Go ahead and Google it. Hari knows this already.)

Anyway, now that Barack is President there has been a ridiculous media story going around that it is impossible to make jokes about Barack Obama. I know this is ridiculous because I haven’t stopped telling Barack jokes since 2005. I kind of wanted to be on record again as being ahead of this nonexistent curve. Also the country is in such incredible transition it is great to be able to release a CD that addresses the transition while it is still transitioning… transitorially.

HK: You’ve told me that there are things on the last record that you no longer stand by. Did you have any fear when recording this record about making that particular moment permanent?

WKB: First of all, allow me to go very public with the first part of what you said. I had a joke on the first CD about Condoleeza Rice, which I also did on Comedy Central. It was a very funny joke to me when I wrote it… because I was so angry at Condoleeza at the time and at her stature as a such high ranking Bush cabinet member, but very soon after I had done it, it became clear to me (actually it was made clear by many, MANY women in my life) that the joke was not helpful to the struggle of women as a group… no matter how evil I perceived her to be at the time. And as my friend and main co-conspirator Martha Rynberg said so eloquently to me at the time, “You can’t talk about ending racism and then go out and create more sexism.” (KAMAU’S NOTE: This has now beccome OFFICIALLY the most unfunny interview in the history of Rooftop Comedy.) And unfortunately for me, the joke is forever out there on the Internet so occasionally people discover it and GO OFF on me. Recently when a dude on a website went off on me on his blog, I commented on the blog that I agreed with him, which I’m pretty sure shocked him. People don’t realize that us comics spend about 45% of our days Googling oursleves. Read More…


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